|
|
|||
| Product Design | My Artwork | Living Sustainably | |
| Art Engineering | Levitation Kit | Solar Power | Chevy Volt |
| About Me | Blog | Solar Heating | Thermal Windows |
| Contact | Solar Hot Water | Solar Mower | |
|
|
Michael Flechtner
"Better
Mousetrap"
Public
art on Wilshsire Blvd. at Brockton in West Los Angeles, CA.
Installed
October 9, 1999.
Michael had a
very
clear idea of the animations that he wanted to see happen in this neon
artwork.
The 3 panels have
neon
animations which interact with each other.
The gyroscope
on
the left is constantly spinning and it "throws" 1 of 3 food items across
the 3 panels at
the
crab, which then catches the burger, bottle or fish in it's claw.
The dipping bird
in
the center sometimes bobs down and stays there, and then
later, bobs up
and
remains up for a while. This allows conceptual room for the food
to fly over it's
head
while down, and when it's head is up, the crab can throw pearls
into the glass
with
it's other claw.
The complexity
of
this animation required that I break it down into 3 control systems
each with it's
own
computer. I used Basic
Stamp
microcontrollers for this project
since they are
easy
to program on site.
The central
control box contained all 3 microcontrollers, the control relays for
all the circuits
in the center
panel.
Two more boxes contained the relays that controlled the side panels.
The box also
contains
an illuminated graphic of the whole artwork. The graphic
identifies
all the circuits
by
color, and small LED lamps indicate which circuits are active. I
used
this as an aid
while
adjusting the programming on-site, since I couldn't see the neon from
inside the wall!
The crawl
space is
accessed from the parking lot behind the artwork via a 24" square metal
door.
Michael and I
sweated
in close quarters for a day to install the controls and wire them up.
Unfortunately, Michael was forced to
compromise
on the complex concept for his animations
as the owner of the building received
several
calls that the work was "broken".
The original animations as described
above
were slow and based on a narrative that was
too slow and confusing for the average
viewer
to grasp. People thought that the dipping
bird was "stuck" since it stayed in
place
for up to 1 minute. Michael had me re-program
the neon to be more hyper-kinetic like
a
traditional neon sign. Thus flying objects now
fly right "through" the dipping bird's
head
as it repeatedly bobs up and down.
If this work had been presented in a
museum
or gallery environment the expectations
would have been different, and the
animations
would be be better appreciated.
Contact Michael Flechtner at:
flektro@aol.com